"Rules of Engagement" Reaches New Depths of
Anti-Arab Bigotry
Once again Arab-Muslims are being
demonized by Hollywood. This time the film is Rules of Engagement, a box-office
hit starring Tommy Lee Jones and Samuel L Jackson…. Just 17 days after general
release, it had already grossed $43 million.
The American-Arab Anti-Discrimination Committee (ADC) has
called for protests against the film, which it describes as "probably the
most vicious anti-Arab racist film ever made by a major Hollywood Studio".
Protests were staged in Washington DC, Chicago, Colorado and other places.
Paramount Pictures, which produced Rules of Engagement, predictably defended its
farrago of racist nonsense as "a fictional account of the consequences of
extremism in all its forms." The film, it naively insists, "is not an
indictment of any government, culture, or people."
And the plot of this film which indicts no one? The American
embassy in Yemen is surrounded by a large crowd of demonstrators. Marine Colonel
Terry Childers (Samuel L Jackson) is sent to evacuate the ambassador and his
family. Childers launches his mission, the ambassador’s safety is secured, but
three of his men are shot. The Colonel orders his men to fire at the crowd.
Eighty-three Yemenis, including women and children, are
massacred by Marines – a realistic-looking scene that has evoked cheers from
some American audience. A diplomatic crisis erupts and Colonel Childers faces a
court-martial for violating the Rules of Engagement by killing unarmed
civilians. During the court-martial proceedings, Colonel Childers, with the
support of his defense lawyer, his former Vietnam comrade Hays Hodges (Tommy Lee
Jones), contends the protesters, even the women and children, were armed. Also,
there was "a declaration of Islamic Jihad against the United States"
and a call to kill Americans, be they civilian or military. Colonel Childers’
act was, therefore, not only justifiable, but patriotic too. The military hero
correctly assessed a situation that politicians and diplomats were trying to
brush under the carpet.
"This film is the worst ever," points out Jack
Shaheen, author of The TV Arab, an upcoming book about the image of Arab-Muslims
propagated by Hollywood. He told Al-Ahram Weekly that the film is not only
immoral but dangerous too. The message it conveys, he argues, is simple:
"It is appropriate and morally correct to kill Arabs, even children."
In the US film industry, he believes, "it is perfectly acceptable to
vilify, to demonize, whatever or whoever is Arab and Muslim."
William Rugh, former American ambassador to Yemen, said in an
interview that Rules of Engagement is another "Hollywood film and it is not
fair."
"It is a biased film that reinforces prejudice against
Arabs," he added, and the way in which the women and children are portrayed
"is not realistic, not believable, and a distortion." Rugh, who is now
the president of AMIDEAST, an organization that promotes greater understanding
of the Middle East among Americans, sees the film’s
"misrepresentation" of Yemen as a product of ignorance. And the
majority of Arabs would agree with his assertion that far greater efforts are
needed to rectify such distorted perceptions.
To say that Rules of Engagement is just a fictional
presentation "is unacceptable", argues ADC Communications Director
Hussein Ibish. He insists Hollywood studios have a "social
responsibility."
"They have certain standards, guidelines and limitations
which are applied when other ethnic and racial groups are the subject of their
fictional presentation." There is a need for "better understanding and
sensitivity," Ibish pointed out in a recent interview. ADC, he revealed,
sent a second letter to Paramount last week requesting a meeting to discuss
issues related to the film. Ibish believes such meetings have had positive
results in the case of other studios, resulting in films such as Three Kings and
The 13th Warrior in which negative stereotyping of Arabs is minimal.
Directed by William Friedkin, and based on an idea by James
Webb III, a Reagan Administration member, Rules of Engagement received several
notices criticizing the film’s explicit racism. It deliberately presents the
events as having occurred in America’s recent history, which is why, Yemeni
Ambassador to the US Abdel-Wahab Al-Hajjri points out, so many viewers ask,
"When did this happen?"
"All of a sudden Yemenis, even women and children, have
become terrorists, and they want to kill Americans. This is outrageous," he
complained.
Pentagon participation in the film led the Council on
American-Islamic Relations (CAIR) to urge Secretary of Defense William Cohen to
rectify his department’s policy to prevent the Pentagon from being associated
with any future anti-Muslim stereotyping on screen. But last week, at the
Pentagon’s regular briefing session, spokesman Kenneth Bacon explained that
his department’s primary consideration is to make sure that "movies
provide a fair and, hopefully accurate, portrayal of the military." He also
said that studios "have a right to make the movies any way they want to
make them. We pay attention to how they portray the military, when we decide
whether to support the movie or not."
With Rules of Engagement anti-Arab bigotry unfortunately
continues. Some Arab activists believe that the issue has to be taken to court,
while others, like Jack Shaheen, see it as part of a political agenda. During
the peace process, after all, tolerance, understanding and sensitivity towards
the concerns of others have been consistently demanded of the Arabs. Such
sensitivity, though, has yet to be reciprocated.
This article originally appeared in Al-Ahram Weekl.
Yemen, Cast in US Film,
Give Angry Review
WASHINGTON - A key scene in… [the] box office hit,
"Rules of Engagement," shows an angry mob outside the US Embassy in
Yemen. US Marines scamper on the roof. One falls dead.
FINAL THOUGHT
ADC also pointed out the following from a recent issue of the Chicago Tribune: "Wait until Islamic advocacy groups get a load of this. They’ve been protesting the Tommy Lee Jones-Sam Jackson movie ‘Rules of Engagement,’ taking issue with its portrayal of Muslim and Islamic peoples and images. Well, the man who directed the film, Chicago’s William Friedkin, is in talks to direct for Seven Arts the film version of ‘O Jerusalem!’, the 1972 book about the 1948 war between Arabs and Jews." All the more reason to make our view of "Rules of Engagement" clear to the widest possible audience, says ADC. For more information, including where to send letters of protest, visit ADC’s website <http://www.adc.org>. u
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